Rel t5i vs t7i

The T3i has a resolution of The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon T3i and Canon T7i.

Below is an overview of the main specs of the two cameras as a starting point for the comparison. Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers. The physical size and weight of the Canon T3i and the Canon T7i are illustrated in the side-by-side display below.

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The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. If the front view area width x height of the cameras is taken as an aggregate measure of their size, the Canon T7i is somewhat smaller 2 percent than the Canon T3i. In this context, it is worth noting that neither the T3i nor the T7i are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require.

In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera.

Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there. Any camera decision will obviously take relative prices into account. The T3i was launched at a somewhat lower price by 20 percent than the T7i, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available.

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Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic rangeand richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background.

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On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses. Both cameras under consideration feature an APS-C sensor and have a format factor sometimes also referred to as "crop factor" of 1.

Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio sensor width to sensor height of While the two cameras under review share the same sensor size, the T7i offers a higher resolution of 24 megapixelscompared with On the other hand, these sensor specs imply that the T7i has a higher pixel density and a smaller size of the individual pixel with a pixel pitch of 3.

However, it should be noted that the T7i is much more recent by 6 years than the T3i, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. The resolution advantage of the Canon T7i implies greater flexibility for cropping images or the possibility to print larger pictures.The drummer and bassist have a nice, swinging rhythm line going, but it takes the REL to reveal individual identities.

Removing the REL causes the individual textures and timbre of these instruments to meld into one another. This is where the musicality of the T7i comes to the fore.

For classical music listeners, the most immediate rewards come in the form of ambient information.

Harbeth P3ESR & Hegel H300 & REL T5 Subwoofer (with and w/o), Sound Demo

A prime example would be the LP of the Copland Fanfare [Dallas, Johanos: Analogue Productions], which depends on the explosive kettledrums and trombones to establish the majesty of the piece. Take the REL out of the system, and the cavernous, immersive soundstage becomes a narrower, more generic space.

Or, take the example of a solo key piano. Its lowest note, an A, produces a And this is why most LF-limited loudspeakers sound like tinker-toys trying to reproduce a concert grand. Add the T7i and a piano recording like Nojima Plays Liszt [Reference Recordings] takes on powerful authority and vitality. The massive aura in and around the piano becomes more present on the stage, the intensity of upper treble transients are more in balance with the instrument.

The T7i faces some serious competition from another REL. I could hear the limits of the T7i when reproducing the steady sustain of the deepest pipe organ notes—it was one of the only times it revealed itself as a sound source. I had the opportunity to add a second T7i to the system and the results, I hate to admit, are pretty addicting. Why more than one? A pair of subs moves more air and can smooth the overall room response as they manage the peaks and nulls within the listening space.

They become less prone to our own localization antennae. If your budget allows, adding a second sub is also a great option if the system moves to a larger room. Has REL managed the impossible? Well, not quite. As a companion in smaller rooms where placement requires discretion, its footprint-to-performance ratio makes it near second-to-none in its category.

And that makes it another outright winner from the good lads at REL. Berkeley, CA rel.While the nomenclature is generally simple enough to understand — the higher the number, the newer the model — identifying the actual differences between generations can be somewhat difficult. After all, from the outside, they look nearly identical. Each has the same viewfinder, same 3-inch touchscreen, and almost identical control layout.

For some potential customers, the decision could be made with a coin flip.

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Others will likely gravitate toward the cheaper one. Being the older of the two, it should come as no surprise that the Rebel T6i makes due with some underpowered hardware compared to the T7i. The image processor — the part responsible for actually reading the data off of the image sensor, tweaking color and tone curves, applying noise reduction, and sending the image file to the memory card — can make a big difference in performance, and the T6i uses the older Digic 6 processor while the T7i has the newer Digic 7.

One thing this means is that the T7i can shoot at 6 frames per second continuously, as opposed to just 5 on the T6i. By and large, the two cameras share identical interfaces.

As far as exterior buttons go, there is only one notable difference: The addition of a wireless connectivity shortcut key on the back of the T7i.

On the software side, the T7i offers something very unique: A guided menu system that Canon calls the Feature Assistant. It is designed to help get new users up and running as quickly as possible, and replaces the standard Canon user interface with a simplified version that illustrates the different shooting modes with pictures and plain-English explanations. Both cameras have the same resolution — roughly 24 megapixels — but the sensor in the T7i is actually a completely different unit, inherited from the EOS 80D.

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Combined with the new processor, it boasts improved low-light shooting, with a higher maximum ISO setting of 51, compared to 25, on the T6i. It also offers increased dynamic range, helping to preserve detail in high-contrast scenes think sunny days with bright skies and dark shadows on the ground. However, in practice, these differences may have little effect on perceptual image quality in the majority of situations.

Neither is going to win awards for video quality, especially at a time when so many other cameras have already embraced 4K resolution. So instead, the debate between the video modes in these two Rebels comes down to which is the more functional, and the T7i wins easily. Traditionally, when in live view mode as is required for shooting videoDSLRs are notoriously slow to focus. DPAF changed the game.

REL Acoustics T-7 review

It makes the process of recording home movies nearly effortless, and if you shoot a lot of video, this may be reason enough to pick the T7i over the T6i. For many users and in most common situations, the T6i will probably also yield equally good results as the T7i. That makes it the better buy for casual photographers on a budget, but those with the money to burn will find more to love in the T7i.

For beginners, the new Feature Assistant and streamlined wireless connectivity are great, while DPAF makes shooting sharp videos a breeze. Aspiring enthusiasts will also appreciate that the T7i leaves much more room to grow into, with a higher-density autofocus system, faster performance, and higher maximum ISO.

It also has a modest image quality edge that will please pixel-peepers looking to push their gear to the limits. Performance Being the older of the two, it should come as no surprise that the Rebel T6i makes due with some underpowered hardware compared to the T7i.

The Batman: Cast, release date, and everything else we know about the movie 6 hours ago. The best bridge cameras for 2 days ago. The best free educational apps for kids 4 days ago. The best travel cameras for April 1, The best photography tripods for April 1, The best video cameras for April 1, The best wide-format photo printers for April 1, REL 's new T-7 subwoofer is an appealing product.

It's compact, decently made and not afraid to go loud. Push the volume levels northward and it stays firmly in charge and impressively composed for one so small. Unlike most of its rival designs, REL has chosen to go the passive radiator route with this design instead of the more commonly seen reflex port. In theory both approaches to bass tuning should yield similar results, yet the passive radiator route allows greater scope for fine-tuning the performance. REL has made it work well in this product.

Nicely compact — yet good and bassy, too The T-7 is essentially a 30cm cube, but the combination of 20cm downward-firing driver, a watt class AB amplifier and forward-facing passive unit means the sub can deliver generous doses of low frequencies when required.

REL is particularly proud of how its products perform through their speaker level inputs, and we can understand why - the T-7 sounds bolder and more informative when wired this way. Yet, even when connected through the line-level option, the subwoofer's poise and insight stays much in evidence. The T-7 sounds right at home, whether adding a dose of heft to the large-scale action scenes of Inception or just dialling in a firmer foundation to the likes of Kate Bush's subtle, but rather lovely, Snowflake.

Remains agile and informative No matter the source material, the T-7 remains agile and informative, and able to deliver really low notes without fudging the bass frequencies above. By the highest standards, the definition of the leading edge of notes is a touch soft, which robs the sound of a little punch and precision. And it's this shortcoming that stops the T-7 from storming this class. That said, if you're looking for a smart and capable subwoofer that's also on the compact side, this REL is well worth a look.

See all our subwoofer Best Buys. What Hi-Fi? Please deactivate your ad blocker in order to see our subscription offer. Home Reviews. Our Verdict A fine effort, well worth auditioning if you want a compact sub with decent authority.

For Composed, agile and informative sound fine build and finish. See all our subwoofer Best Buys Follow whathifi.Reinforcing that point with aplomb is British manufacturer RELand their latest range of T series subwoofers. With five T series models, there is enough variation on offer to suit rooms of all sizes. Available in either gloss black or gloss white, from top to bottom the T series are impeccably finished.

The cabinets are reassuringly solid, and the attention to detail shown on the back panel is superb, with gold-plated RCA connections and chunky, metal controls. Even the heat sink looks impressive! The amplifiers used across the series are tried and tested — REL claim to have used them in almostof their subwoofers!

Designed so that two could potentially be used in a stereo configuration, the T-Zero is still more than happy to party by itself. This design gives a heavy hitting sound without the sometimes flabby bass extension that can be found in ported designs.

With the hi-fi enthusiast in mind as much as the home cinema fan, REL have provided two sets of outputs for separate amplifiers. Even better, separate controls are also provided for each input, meaning no faffing around changing settings when switching from one mode to another. As the speaker is downward firing, placement is an easy task, and with the sealed cabinet, bass is consistent and punchy in any position. As the only front-firing design here, the T7 has an extra trick up its sleeve — a passive radiator.

Running the same amplifiers as the standard T5 and T7the 5I and 7I have an improved, lighter woofer unit improving the overall timing and response of the sub. The 5I has a larger cabinet with the thicker walls, offering better acoustic damping.

Likewise, the 7I goes bigger in cabinet size, giving greater internal volume and helping to give even more sound for your pound. Set on a scenic cliffside, overlooking picturesque ocean views, Cecilia Elisabeth Moss makes a daring night-time escape from her abusive partner Adrian Oliver Jackson-Cohen.

Store Locator. Also find us on:. The T7i subwoofer from REL. Film review: The Invisible Man Set on a scenic cliffside, overlooking picturesque ocean views, Cecilia Elisabeth Moss makes a daring night-time escape from her abusive partner Adrian Oliver Jackson-Cohen. This article has 1 comment.Some time with a pair of them does reveal some singular abilities though.

Is it just me or REL subwoofers are not punchy?

If you run a sub all the time and with speakers that need a 50Hz and up crossover in particular, the REL is effortlessly integrated, controlled and detailed. It has an agility and nuance that most rivals struggle to get anywhere near and for music especially, it sits in a very select field indeed. The inclusion of the Arrow wireless system further improves the basic flexibility and makes this a very capable subwoofer indeed.

If you can run two, their ability to create a rich and believable low end is very compelling. Read about our review ethos and the meaning of our review badges. Deals Amazon deals Bargain threads Classified adverts. Log in Register. What's new Search Search. Search titles only. Search Advanced search….

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Canon T5i vs T7i

For a better experience, please enable JavaScript in your browser before proceeding. Review Specs Discussion Home AV Review. It also continues to embody a different approach to the business of sub bass creation. REL sees itself as a little different to many other companies that build subwoofers. While they have adapted to the growth in multichannel audio — which has driven a considerable demand for subwoofers — the company first and foremost considers themselves to be a producer of HiFi equipment.

To throw another variable into the mix, while the REL is designed with a view to a certain level of purism, it also has a rather unexpected convenience feature. The most significant revision between old and new is that the position of these drivers has been reversed.

The 8 inch active driver now faces forwards while the 10 inch radiator moves to the underside. In principle this makes a fair degree of sense. While a forward firing driver places some restrictions in placement terms over a downward firing one, it alleviates many of the issues of using such a device on a suspended floor — the energy from the passive radiator being somewhat lower than the driver — and, in many parts of the world, this is rather more useful than any slight loss of positioning flexibility.

The material that the drivers have been made from have also been changed. They are still in essence made from paper but REL has delved into the business of paper composition and worked to create a driver that has less mass to it.

Reducing the mass of the driver, reduces the amount of force required to start and in turn stop it.Key features There are dozens of newer cameras on the market.

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